PATAN THE CITY OF ARTIST: | ||||||||||||||
Patan, the historic city is also termed as the City of Fine Arts, which is rich in culture, crafts having thousand years of history. It is considered as one of the ancient cities, having full of Hindu temples as well as Buddhist monuments where all ethnic communities belonging to both Hinduism and Buddhism have embraced each other in harmony .and peace. The city is, just 5km south east to the Capital city Katmandu. The city spreads over 16 sq. kilometers and divides into 22 Municipal wards and is inhabited by roughly 165,000 people. Newars, the indigenous inhabitants of Patan, have their own unique culture and traditions which is also recognized as a cultural resource of the world. One of Patan’s biggest festivals, the Machhendra nath jatra, a unique chariot festival celebrated for a month in May-June. A substantial portion of the population is engaged in various trades, especially in traditional handicrafts and small scale cottage industries and the rest are busy in agriculture The city is said to be designed in the shape of the Buddhist Dharma-Chakra (Wheel of Righteousness). It is also famous for its narrow streets and alleys, lined by traditional buildings, unique stone water conduits and vernacular architecture, Hindu and Buddhist monuments. There are more than 1,200 Buddhist monasteries and monuments of various shapes and sizes scattered in and around the city. The most important monument of the city is the medieval palace complex, Patan Durbar Square,
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Golden Temple: THE FOUR STUPAS OF ASHOKA: The most remarkable feature of the town of Patan is its four ancient architectural Ashoka Stupas. There are four 'thurs' or mounds located on the perimeter of Patan, one at each cardinal point and are popularly known as the Ashoka Stupas. . Legendary Ashoka, Mauryan Emperor of India, Calong his daughter Charumati visited Kathmandu in 250 B. and erected these Stupas. The historians have agreed that these Stupas might have been erected in connection with the foundation of Patan towards the end of the 4th century AD. Lagan Thura: Teta thura: Pucho Thura: Ibhahi Thura: | ||||||||||||||
Tuesday, December 25, 2012
PATAN THE CITY OF ARTIST:
Monday, December 24, 2012
Shri Swaminarayan Mandir
An image of the under construction marble temple | |
| Name | |
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| Location | |
| Location: | Bhuj |
| Architecture and culture | |
| Primary deity: | Nar Narayan |
| History | |
| Date built: | Expected: May 23, 2010 |
Shri Swaminarayan Mandir, Bhuj is a new temple complex coming up in Bhuj. It is a
Swaminarayan temple that will come under the Nar Narayan Dev Gadi of the Swaminarayan Sampraday. The opening ceremony of the temple is scheduled to take place between May 15 and May 23, 2010.[1]
An Earthquake on 26 January 2001 shattered most parts of the city of Bhuj (Kutch District), including the original Shri Swaminarayan Mandir, Bhuj built by Bhagwan Swaminarayan in 1824. To replace this, the new temple is being built of only marble and gold. The throne for the idol of Swaminarayan, the temple domes and doors will be of gold whiles the pillars and ceilings will be made of marble.[1] The original central deity images of Nar Narayan and Swaminarayan in the form of Hari Krishna will be moved from the old temple to the new one along with those of Radha Krishna, Swaminarayan in the form of Ghanshyam and Sukh Shaiya and others.[2]
The new temple is being built at a cost of 1 billion Indian rupees (100 crore) on 5 acres (20,000 m2) of land. Made in marbe, intricate carvings adorn the pillars and ceiling of the most expensive temple to be built in the Indian state of Gujarat recently.[3]
A large number of people are expected to attend the opening ceremony of the temple including a people from overseas, including from United Kingdom and various parts of Africa. According to an estimate by a member of the Bhuj Hoteliers' Association, as of October 2009, 75% of the hotel rooms in Bhuj had been booked for the period during which the opening ceremony is scheduled to take place.[1] To manage influx of vehicles, Jubilee ground and Khasda ground, the two biggest grounds in Bhuj will be used for parking arrangements.[1] Temple authorities are expecting around 500,000 (5 lakh) visitors during this period.[3]
A 3D film, the first of its kind on the life and teachings of Swaminarayan titled 'Sahajanand' will be screened as part of the opening celebrations of the temple. Shot by S3D cameras, it is claimed to be the first of its kind in India.[4]
Koteshwar Temple
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Sunday, December 23, 2012
TEEN DARWAJA
| TEEN DARWAJA |
Gujjaratta,
There is no denying the fact that people all over the world have an irresistible urge to know about Gujarat - its history and culture. Enclosed by Pakistan and the states of Rajasthan to the north eastern part of the country, Madhya Pradesh to the east and Maharashtra and the Union territories of Diu, Daman, Dadra and Nagar Haveli to the south, Gujarat is one of the prime tourist destinations in India. A seat for deep seated folk and classical cultures, the state reflects a rich heritage of the country’s past.
Trying to know more and more about Gujarat will lead you to explore avenues more than you actually expected. Walks along the beautiful Diu Beach, Ahmedpur Mandvi Beach, or visits to the various temples which are some of the finest tourist attractions in India will offer some of the memorable moments of your life. The Rann of Kutch which occupies a large area of western Gujarat is famous for its rare ecosystem, wildlife, fossils, and terrain.
Fast Facts
| Area | 1,96,024 sq km |
| Population | 41,309,582 |
| Religion | Hinduism (89.48%), Islam (8.73%), Others (1.79%) |
| Maximum Temperature | 42°C |
| Minimum Temperature | 14°C |
| Capital | Gandhinagar |
| Languages | Gujarati, Hindi, English |
| Best Time To Visit | October to March |
History
Having derived its name from Gujjaratta, meaning the land of the Gujjars, a tribe which migrated to India around the 5th century AD, Gujarat has its history dating back to many Indus Valley and Harappan centers that have been discovered in the states like Rangpur, Lothal, Lakhabaval, Dholavira, Amri, and Rozdi. Gradually with the advent of the Yadava tribe led by Lord Krishna, some 3,500 years ago, Gujarat reached its most glorious days.
History about Gujarat says that Ashoka, the Mauryan king extended his kingdom to Gujarat. The downfall of the Maurya Empire subsequently led the smaller kingdoms to establish their authority in this state. The state prospered greatly during the time of Solankis from the 9th century. In the 12th century AD, Allauddin Khilji, the Sultan of Delhi defeated the Waghela king of Gujarat and a long era of Muslims started. Power changed hands to the Marathas and ended the Muslim rule in the 18th century only to be further transferred to the British in the early 19th century. The East India Company set up its first center in Surat.
Gujarat was initially a part of Mumbai state till 1960; and Gujarat’s people decided to have their state divided on the basis of language and culture. This led to creation of the two new states of Gujarat and Maharashtra.
Saturday, December 22, 2012
SHAH ALAM ROZA
SHAH ALAM ROZA |
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THE POLS
| THE POLS |
SARKHEJ ROZA
SARKHEJ ROZA |
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Friday, December 21, 2012
JUMMA MASJID
| JUMMA MASJID |
ADALAJ STEP WELL
ADALAJ STEP WELL |
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Thursday, December 20, 2012
GANDHI ASHRAM
| GANDHI ASHRAM |
King Karandev
King Karandev 1, the Solanki Ruler, had waged a war against the Bhil king of Ashapall. After his victory Karandev established the city called "Karnavati". In 1411 Sultan Ahmed Shah conquered Karnavati and after his name Karnavati was renamed to Ahmedabad. The city was built in open and spacious plane to the East of Sabarmati. It compromised of smaller known Fort as Bhadra Fort. The city fort wall was enclosed containing 12 Gates. |
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Sunday, June 17, 2012
Bahucharaji Temple
Bahucharaji टेम्पले
Bahucharaji - Mother Goddess
Yet another Shakti tirth of Gujarat is the temple of Bahucharaji. People bring their children for the 'mundan' ceremony of their children. It is an ancient sacred site and features prominently among the' garb a - garbi' compositions in folk songs. Its older temple is 5 km away and it is quite ordinary too. But this one is very huge and grand. Its compound is also vast. On several occasions this is filled with thousands of devotees. In front of the temple is one Havankund and behind it is the home of Vallabh Bhatt Mevada who has composed a number of songs of garbis and garbas addressing the Mother Goddess. Next to the temple is Mansarovar Lake and a number of Dharmshalas for devotees and visitors.
Bahucharaji Mata is held in great honor in Gujarat. Among the most worthy places for visit near the ancient capital of Patan is this temple of Bahucharaji Mata. On full moon day of Chaitra and Aso months every year big fairs are held here. Folk dances and dramas of 'Bhavai' are also performed. The construction of this temple began in VS 1835 and it was completed in VS 1837 when the image of the Mother Goddess was ceremoniously installed.
Around this large area of the temple a fort is constructed, with four 'burj' and three Gates. This temple is ISm long and 9m wide. It has a dome and a shikhar. There is a great Mandapa facing the Garbhagriha. In the dome of this Mandapa or hall, on its pillars are painted dolls. Near the temple is one Havan or Agni kund for religious ceremonies. The open ground of the temple is popularly called 'chachar no chowk'. Near the gate of the temple is Mansarovar. On full moon day of Chaitra and Aso months people visit the temple in large numbers. The 'palkhi' procession of the Goddess is taken out to Shankhalpur. Many families come to the temple for the 'mundan' ceremony of their children when their hair is totally removed for the first time after birth as one of the 'sanskaras'.
Saturday, June 16, 2012
Siddhapur - Rudra Mahal
As we move upwards from the banks of Saraswati at the historic Anhilwad Patan, we come to Siddhapur. Just as Gaya is called the best place to hold the Shradda Sanskar for one's father, Siddhpur has the honor for similar rite for one's mother. It is said that Bhagvan Parshuram had performed this rite for his Mother and since then it has acquires this sacred aura for the later generations. Thus we find that even today this significance draws thousands for this rite here.
As we read the description of Rudra Mahal in treatises of the past, we find that this 'Mahalay' was true to its name a great and vast structure, with incomparable wealth of sculptured beauty. Mularaj of the Solanki dynasty had begun to construct it and Siddhraj Jaysinh completed it. When we read the grand narration about how it contained vast public halls, other big and small halls, stories and stories full of balconies and verandahs, with richly carved pillars and other sculpted beauties, and how thousands of Brahmans chanted Mantras for worship and uttered various Stotras, we feel that it was like another Somnath temple
However, Allauddin Khilji razed it to the grounds. Gradually it almost disappeared. Today we can see only four pillars with an arch. But even these little ruins can provide us an idea about the beauty and grandeur of the original structure. In a 100 m. by 75 m wide area, it was a structure of two to three stories, with 1600 pillars and a large public meeting hall (Sabha Mandap).
We also must take a note of the legend of Rudra Mahal about the laying of the foundation of this structure. When King Mularaj Solanki dreamt of making a grand Shiv-Rudra Mahalay on the banks of River Saraswati, he summoned the famous architect Prandhar, he invited many other architects and astrologers, besides the skilled arti.sans from far and near. These experts selected the stone for the construction and began their work
After Mularaj, the great architect Prandhar also died. Then came the great successors like Bhimdev: Kamadev and even the queen Minaldevi. On the throne of Patan now came Bhattark Siddharaj Jaysinh. Someone reminded him of the great dream of his ancestor Mularaj that was still incomplete. Siddharaj now took up the bid to complete that dream
He invited Markand Shastri from Malva, a great astrologer. Under his guidance a new place for laying the foundation of Rudra Mahal was undertaken. As the ceremony was being conducted the Shastri went on instructing. He said, 'Dig here for another yard and a little more. This is the 'Siddha Ghatika, the Honored Hour. Keep your eye on the stick held here and as soon as I call out, plant this gold nail into the ground." And at the auspicious second, under Markand shastri's instruction, this was done.
Markand Shastri was jubilant, "Dhanya, this is great fortune for everyone! 0 King, now nothing, not even TIME can touch this Rudra Mahalay, it would last until the Sun and the Moon last (Yavacchandradivakarau). Maharaj, the nail has been placed into the head of the Sheshanaga, One who holds the Earth on His head. Now this is a moment in time that does not move. It has no Beginning and no End.
The King Jaysinh respectfully bowed to him and said, "Acharyavar, even Lord Brahma has not made any Creation that has no End
Markandji replied, "Maharaj, according to my astrological calculations the auspicious time cannot go wrong. Even if the Pralay or the End of the World comes, it would only bow and touch the feet of this Mahalaya."
Jaysinh, "Oh! What End of the World, Gurudev? What head of Sheshnaga? -Just where is the Head that holds the Earth deep down, and look at the 1 Y2 inch of this little gold nail that went ointo it!! Guruji, say something that we can believe! Or, prove it at least
Markandji was upset, "0 King! Do not mock or test such things of Knowledge!"
Jaysinh haughtily replied, "Acharyaji! I too want to see the proof. Can you show it to me?"
Markandji said, "Maharaj! Well, take off the nail, and you will find blood flowing out! Just see for yourself!"
After a lot of discussion if such a step must be taken or not, as the King did not abandon his stance of doubt, Markand shastri agreed for pulling the nail out, "As soon as the nail is pulled, it should be pushed back once more." He directed.
The nail was pulled and just as it was being pushed back, the clothes of Jaisinh were sprayed with blood. The nail was pushed back once more. With absolute amazement and happiness, Jaisinh looked at Markand shastri. But Mrakandji was most unhappy. He said, "Maharaj, within the few moment of pulling and pushing back the nail, Sheshanaga has shifted. Now the nail has not struck his head but his tail!!"
Jaisinh asked, "So? What does that mean?"
Markandji said, "Adhishwar! I am unhappy to say that the result of this is that since you are sprayed with the blood of Sheshanaga, you would be invincible. However. ..
Jaishinh asked, "However ... ?"
Markandji continued, "However ... it means that your name and fame would suffer, and while Rudramahal would be completed, it also would be razed in time. The ringing of bells day and night would stop one day, each of its stone would be broken up with a hammer, its grandeur and significance lost in time. Only some ruins would tell us of its grandeur .... "
Thid may only be a legend, bu is indeed very intersting. When we recall it as we stand near the remnants of Rudramahal, we experience agreat thrill.
Miradatar:

Apart from the lain places of pilgrimage, to the n0l1h of Mehsana near Unjha and Unava is the sacred place for the Muslims called Muiradatar. However, here not just the Muslims but the Hindus also come for worship and offerings. All communities join its Fairs held regularly
Friday, June 15, 2012
The Haveli At Siddhapur
Garden Palace Balasinor
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Palace Utelia Gujarat
| [Utelia] [Reservation] | ||||
Accommodation: A total of 14 double bedrooms have been renovated to match the grandeur of the building and feature attached baths with running hot-and-cold showers, and dressing space. Some of the beds are real period pieces inlaid with mirrors and ornate decorations. Each of the rooms open onto private balconies or common verandahs with splendid views of the River Bhugavo where demoiselle and common cranes gather. Even if you are not staying here, it is worth dropping in for lunch on the way to Ahmedabad and Bhavnagar or Palitana. |
Thursday, June 14, 2012
Kumbhalgarh Fort
Kumbhalgarh Fort : Located 64 kms north of Udaipur in the wilderness, Kumbhalgarh is the second most important citadel after Chittorgarh in the Mewar region. Cradled in the Aravali Ranges the fort was built in the 15th century by Rana Kumbha. Because of its inaccessibility and hostile topography the fort had remained un-conquered. It also served the rulers of Mewar as a refuge in times of strife. The fort also served as refuge to the baby king Udai of Mewar. It is also of sentimental significance as it is the birthplace of Mewar's legendary King Maharana Partap.
The fort is self-contained and has within its amalgam almost everything to withstand a long siege. The fort fell only once that too to the combined armies of Mughal and of Amber for scarcity of drinking water. Many magnificent palaces an array of temples built by the Mauryas of which the most picturesque place is the Badal Mahal or the palace of the clouds. The fort also offers a superb birds view of the surroundings. The fort's thick wall stretches some 36 kms and is wide enough to take eight horses abreast. Maharana Fateh Singh renovated the fort in the 19th century. The fort's large compound has very interesting ruins and the walk around it can be very rewarding.